Finding the joy...


guacamole tsunami song by Parry Gripp

Last Monday morning, I found myself in a music room at my son’s school, frantically searching the classroom for lesson ideas before nineteen third graders filed in for class at 8:30 am. The teacher had left a note that I could show Tom and Jerry cartoons and talk about the music accompanying the show but that seemed dull to me, and this classroom was full of fun percussion and xylophone instruments. Surly I could come up with something more fun than T.V.

The bell rung and I waited outside the classroom door for the students to arrive. As they walked down the hall and spotted someone who was not their teacher, the expression on their faces turned to wide-eye wonder, who is this dear soul that stands before us that we can dominate, I thought they must be thinking. They filed in to take their seats and there was a moment I’ve now come to recognize in substitute teaching, the silent assessment; the one quiet minute of reflection that occurs by all the children as they try to ascertain who am I am. It’s a moment of simmering excitement and it’s a moment of sheer terror – the moment before I take the improvisational stage of substitute teaching and tap-dance through whatever the students have in store for me.

I didn’t mean to start a new career right when I was getting divorced, and moving, and renovating a house. It just happened that way. Teaching has always been a profession that held my curiosity and high esteem, but I avoided it because I grew up in a school were my father worked, and it all felt too familiar. I wanted to do something different with my life.

But here I am, at forty-six-years-old, and I’m going back to school. None of it makes sense on paper financially. It just feels like the right thing to do in my body. It brings me into the same schedule as my son, which is important as a single mom, and it brings both of us into a community that shares our same values. But the overriding reason for pursuing teaching right now is the pure joy, the radiant energy I feel every time I step onto the campus and interact with the students. So far, I’ve substituted for fourth grade math and social studies, fifth grade English, seventh and eighth grade English, first grade, second and third grade reading, and now music.

I introduced myself to the class and gave a short description about me, which usually includes that my son is in first grade, to which they all ask for his name. This I’ve found immediately breaks the ice and confirms me as safe; I’m a mom here at the school. Then I took attendance. I’ve noticed with third grade, they love to change their names, and this is the moment they explain to me their new choices. There are a lot of Taylor Swifts, Messi’s or Renaldo’s, and the occasional random names, such as Banana 1 or Deadpool. With a few, they’ll exchange looks with their friend sitting next to them and giggle, taking their friend’s name as their own. It’s cute how obvious it all is, and we all laugh.

I explained our lesson for the day – to create an orchestral arrangement to accompany a book I chose, and if they did it well, their reward would be a freeze dance party at the end of class. This excited them and so we proceeded to read, Going on a Bear Hunt, and breaking up into six groups, each one picking either the triangle, or the blocks, or the tambourine, or the sand shaker, or the xylophone to make their character’s sound. We practiced watching me, the conductor, getting loud when my hands went up in the air, soft when my hands went low, and the most important, no sound when I closed my hands up.

Was there a lot of discordant noise? Yes. Was there a lot of chaos and mallets bopping other things besides the xylophone? Yes. But man, did we all have a lot of fun.

The moment I knew I had them was when every child was playing their instrument to the fullest as I read that the bear was chasing the family to their house, and when I struck the big drum to indicate the front door was shut and their cue to silence their instruments, everything fell quiet, in unison. I watched them look at each other, eyes sparkling, smiling, in amazement. What a beautiful thing to see. What joy we all felt, collectively.

Martha Beck, the author and podcaster, talks about how finding joy in life is the best way to navigate life. She states in her podcast, “The Wandering Room; Finding the Joy,” “that, “joy, like beauty, is its own excuse for being,” and “that joy is what gets you through this world because it reminds you that you are not of this world. It is something more lasting, more powerful, and more loving than your physical experience ever could be.”

We ended all the classes playing freeze dance to one of James’ and my favorite new songs by Parry Gripp, “Guacamole Tsunami,” which, if you ever need a pick-me-up, I highly recommend. Then the bell rang, the students filed out of the classroom, and I got ready to do the whole thing over again four more times.

By the end of the school day, I had lost my voice, yes, but I was filled with new vibrational energy. It almost felt like my body was shaking slightly, and I’m pretty sure this wasn’t from the extra coffee I drank at the cafeteria. As I left that afternoon, crossing the campus, one of the students called out to me, “Can we do that again tomorrow Ms. B?” I turned and smiled, responding, “I hope so!”

In Search of Home

Yesterday, we closed on the new house where James, Truffles and I will live, and in three weeks, we will close on our current house in downtown Charleston, the home that was our last-ditch effort to save the marriage.

We had been trying to find a home in Charleston since 2019 when we moved from Raleigh, but COVID made things more complicated in that arena, and here we were, four years later with our new family house and a broken relationship.

In the beginning, I loathed this historic home and it’s 1790’s supposed charm. All the vacant rooms, an empty promise haunted by future family memories that would never come to be. The brick kitchen floor, unforgiving with every dish that slipped out of my grasp, compelling me to spend hours on my hands and knees, as I plucked shards of glass out of her crevasses. As sediment from the brick fireplace built up in the den, I imagined cockroaches teeming over the ruins of this antique fortress, while ghosts roamed the hallways.

When James’ father moved out, I moved into the guest room on the third floor and co-slept with my son; the master bedroom became a relic of the past, the king-sized bed, a museum piece, untouched. The house came to embody the decaying skeleton of marriage, forcing me to attend the funeral daily and tend to my grief.

It was decided unanimously that we would sell the home, this mistake we made, and move on into our separate abodes. But the house refused to be sold, despite all my efforts. And over the course of the following nine months, I fell in love with her, her wooden floors catching my tears as I cried in every room, her shutters fluttering shut to protect me from the outside world when needed, her magnolia tree dancing in the window where I write, and her garden, an oasis of speckled sunlight, healing me with warmth. Over time, she nursed me back to myself, and now, I must leave her.

Rifling through a drawer the other day, to find paperwork for the lawyer, an old piece of artwork fell to the floor; a sketch of James’ father with his arm around me, while I cradle baby James and Truffles sits (much too obediently for her) at my feet. It was a gift from a dear friend at James’ baby shower. And as I stared at it on top of the rug beneath my feet, I thought, where do you belong now? Where does our past go? On what shelves? In what drawers? In what box?

This revisits a question I’ve been stumbling over for the last few years – what is home? Is it a creation outside of us, a dwelling within us, or a longing for a feeling of the past? Why do we anchor ourselves in one geographical location, verses another one? Why do certain environments, such as pluff mud and Lowcountry grasses calm me, while arid desert landscapes feel like a living death? For me, home is by a body of water. For others, they prefer mountainous regions. How does this come to be? What does home even mean?

Over the last month, I’ve watched the night herons return to White Point Garden, at first, one pair at a time, and now you can hardly find a bare branch, as each one nestles in a newly built nest (the physic behind all of this defies nature in my opinion, as these are hefty birds on thin limbs).

I’ve learned, through the website, All About Birds, that it is the male Night Heron that selects the nesting spot to attract his mate. Together, they cohabitate with other bird species, such as Osprey and Ibises, creating a colony of nests together amongst the canopy of the Live Oak trees. What a lovely image, this bird commune, something I would love to create as well.

As James and I watched the Night Herons fastidiously build their nests, standing precariously on limbs as they tore smaller branches off with their beaks, pruning the trees, almost falling, and then carrying their small twig back to their mounding pile, I felt a little shamed by the industriousness of these creatures and their perseverance to create a vessel that would be so short-lived. Here I am too, rebuilding a nesting spot for James and myself, a nook in which to roost. Aren’t we all constantly building some type of “nest” in our own lives, knowing full well we will be rebuilding it again and again.

While I’m excited for our future home, there is still a lot of grief coming to the surface, for the family life we’re leaving behind. It brought to mind a beautiful line from Madelaine Lucas’s book, Thirst for Salt: “There is no end to grief, because there is no end to love.”

I still love James’ father, I always will. I still love our family together, even though it looks and functions differently now. But most importantly, what I think I’m finally starting to recognize, is the grief over the abandonment from myself for so long, and the recognition that I’m coming home, to myself, for good.

Here is Maggie Smith’s brilliant poem about the same subject that she shared in her Substack last week, “For Dear Life,” called “Slipper,” where she and her daughter found a shell at the beach, which they called a slipper, as she explained that, “finding an empty shell is like finding an empty house. A creature once lived inside it.”

Thank you again for reading and your support.

Sincerely, Kate

SLIPPER

BY MAGGIE SMITH

Last time I sat at the sea’s open door
I was seven months pregnant,
my son bobbing inside me and the same
roar of waves there. What I love
about the sea is its relentless
newness, the constant turning over—
mornings gray-green, afternoons blue
and glassy, the horizon wearing
its ridiculous white ruff of clouds.
I am becoming my mother here
in a skirted one-piece swimsuit,
my thighs glistening scallop-white
and tender, spreading in the beach chair,
my kids digging broken shells
from the sand at my feet.
My daughter gasps to find one whole—
a common slipper, also called
a boat shell for its shape.
Something once lived there,
something slick and muscular, a tongue
clamped inside. Imagine if I could
wear my home and call it my body,
wear my body and call it home.